Chris Morris and Orpheus: Pirates in Hell

first appeared on Library of Erana://libraryoferana.wordpress.com/2017/05/20/hell-week-2017-day-7-chris-morrisorpheus/

Hell Week 2017 – Day 7- Chris Morris/Orpheus

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Character Spotlight

About yourself:

*Who are/were you? Tell us about your life before you came here, and after.

A: I am Orpheus, son of the Thracian king Oeagros or perhaps even of Apollo, but most certainly sprung from the belly of the Muse Calliope, forever to hear the strains of her harmonies in all things. The strings of the lyre thrill to my touch as I to them and men and birds and fishes to the tides of all that is.

* Why do YOU think you’re in Hell?

A: I am in hell, as in life, to be taken amiss in perpetuity, to poetize, sing and play upon my instruments in accord with each unfolding moment and sway all souls about me to respond according to their nature and be reviled for doing so, for their differences cast them at odds.

Who are your friends/allies here?

A: Friends? Jason, for one, who steers our ship away from shoals and plies roiling seas. Atalanta is a friend as well and longs to chase my demons from me. Allies to me are forever the octaves of eternity, knowable to myself alone and mystery to all others.

Do you have any enemies here?

A: “Here” is mine enemy and daily do I war with him; I turn his rage to song and he doth rage the more. Shh…I take some small pleasure in that.

How do you define ‘piracy’?

A: All is stolen which has no owner; piracy is an illusion promising possession.

Come on be honest, what do you think of HSM leadership?

A: All things have a head and a tail; guide, yet follow. He must be for the Grand Punishment Continuum to exist; He is not to be envied or feared, though He must be more than those few things: He is a verse, then a chorus, then a coda; like us, He knows not his beginning, no more than I.

What is the WORST thing about being here?

A: The food.

What are your best tips for surviving in Hell?

A: Feel the rhythm; take your next breath fully; stand straight; drop your shoulders; raise your chest; sing to glory!

Before you arrived here did you actually believe in HSM and his fiery domain? Bet that was a shock!

A: I had been to Hades’ to retrieve my sweet Eurydice and returned, almost, so I knew this place before and now again. Have you seen her; sometimes she slips from view?

Eternity – that’s a damned long time. How to you spend the endless years here?

A: Inquisitor, know ye not that there can be no such thing as time?

What do you miss most about your old. . .life?

A: Amplifiers.

Author Spotlight

*Name and bio.

A: Chris Morris

https://en.wikipedia.org/wiki/Chris_Morris_(author)

* Tell us about your story for this edition.

A: Evil Angel is a collaboration with my partner in prose, Janet Morris, my personal Beatrice, guide and companion through the literary depths of Hell. It posits a vengeful Medea, about trapping her mythic nemesis, Jason and his celebrity pirate crew in snares fabricated by no less than the Fates themselves—before whom even Satan pauses. Any Hell story fascinates because if written to form, death has no motive force and the storyteller must dig a little deeper to find the hinges of drama and portray rewards of victories which are pyrrhic at best. Does she still yearn for him? Is she exquisitely a victim of her darkest design?

What inspired you to use the character(s) you’ve chosen?

A: I wished to look through Orpheus’ eyes, hear though his ears, and for a fleeting moment field his musical magic midst Medea’s stark malignity.

How did you become involved with this project?

A: I was present at the inception.

Writing for a shared world is challenging, how do you meet that challenge?

A: Janet Morris and I write stories to “bookend” the collection and impart a sense of proximity to the usually very different themes and perspectives our contributors bring. More than that, our faves, Kit and Will, are writers too and impart a writerly camaraderie that extends beyond their episodes to color the character of the series.

Tell us why you chose this story to tell out of so many possible options?

A: Who wouldn’t want to find out how it feels to munched by a frosty leviathan?

What are you currently working on?

A: Still struggling to get the backlist up in trade, Kindle, e- and audio versions. We’re about halfway. Over the past year I learned enough InDesign to be a little bit dangerous and I love to get lost in producing stuff that with any luck will outlive us.

Name the last two books you’ve read – tell us about them.

A: Brideshead Revisited and Tempus Unbound. Waugh is the consummate stylist, able to twist, turn on a dime, fly high above yet touch down instantly in the mind, not just through the speech of his characters. Tempus Unbound is a rarest of rare birds, a late-coming foundational work for Janet’s archetypal sage and his counterpart, Cime.

What are your views on authors offering free books?

A: “Offering” in exchange for…?

*If you could pick any quote about Hell which would be your favourite?

A: “Now I could drink hot blood and do such bitter business as the day would quake to look upon.” —Hamlet

If you could have a dinner party with any man and woman from anywhere and any when who would invite and what would you eat?

A: Jesus…bread.

EXCERPT from “Pirates in Hell.

“Evil Angel” (Goat-Beard Part 2)

Janet Morris and Chris Morris

*

Up the steep the crew of the Argo must climb to attend her parley. Any who faltered would freeze solid on the slope, languish ice-bound for a hundred years — time aplenty to think things over.

“Come ye, bloody Argonauts, and meet your fated punishment,” she whispered, as if Jason’s shipmates could hear her.

Come one, come all, and let demons devour the hindmost.

Medea set the scene about her with a Colchian standard flapping on a pole, a rallying point fit for such a parley, a solemn conference to discuss terms for the Argo’s surrender. Beneath her fleecy mantle she invoked a robe of snowflakes; on her head she made a three-spoked crown. That done, with her fingertip she kindled a fire on her peaty peak, then summoned a brace of gray and stinking fiends and gave them orders.

As the crew of the Argo ascended and the fiends descended to devour any laggards, Medea spotted her quarry: Iolcian Jason still looked twenty; hell so far had been easy on this son of Alcimede. But not much longer would it be so . . .

Screams of the hindmost, being torn asunder by fiends, sounded a welcome fanfare in her ears. In response, the landing party’s rear-guard turned back to help their brethren, while those in the forefront quickened their ascent.

Alongside Jason hurried Argos, shipwright of the Argo; behind him, Meleagros and his beloved Atalanta, a sometime lioness and fleet-footed virgin huntress whom Medea once healed.

Despite the rear-guard’s swords and spears and best efforts, ravenous fiends grabbed stragglers in their jaws.

The luckless begged the icy wind for help or speedy death. But fiends always take their time, torturing their prey before tearing it limb from limb and sitting down to feast.

The sailors in the lead scrambled faster.

Of all those come ashore, nearly a third would never crest the ridge. The remainder plowed on grimly, taking no backward looks.

Many of these heroes Medea knew. Hadn’t she sailed with them to the Colchian grove to steal the fleece of the golden ram, the very mantle she now wore? She thought she spied Zeus’ son Herakles and man-slaughtering Peleus, climbing to either side of Theseus, founder of Athens. Her eyes lingered on Orpheus, Thracian poet, prophet, and father of songs. But those voyages, those feats, belonged to another time — to life, not afterlife. She banished any thought of glad reunion.

Were it not for Jason and his crew and this damnable fleece forever wrapping her shoulders, she might have spent her afterlife in Erebos, officiating as a priestess of Hekate, sending sinners to Tartaros and innocents to the Elysian Fields. Jason! Every wrong, every ill, every misery, every blot began with Jason. Jason it was who’d ruined Medea in life . . . and haunted her ever since. Mad with love of him she’d been, that fateful day she killed their children.

Vengeance, love’s antidote, always comes hard. And costly.

Watching the Argonauts climb, she recalled that few had treated her as equal. But then, she wasn’t equal: she was superior. If among this damned crew a few were female, a few unknown, then hell maketh bedfellows undreamt in life. She had punishments aplenty to dole out to those who’d top the ridge, fit for one and all.

Dark and frowning, Jason gained the summit first and paused, breathing hard, followed closely by four souls new to her.

Who are these?

One was slight-bearded, auburn-haired and tender-mouthed, sloe-eyed and lithe in a leather jerkin, breeches and hose. By his side came a goat-bearded fellow with fleshy cheeks, one sparkly earring, sloping shoulders and puffy pants. In their wake followed a woman lit with a loveliness otherworldly, which swaddled her better than her simple shift and somehow kept away the cold. This woman got help to top the final rise from a big soul robed in brown, stalwart, hirsute and resolute, who used a knotty staff.

Not one of the four had the seafarer’s eye, the windburned lips, the leathern skin earned by facing hellish weather. Nor were they flowing-haired Greeks or tattooed barbarians.

Medea waved a hand at her fire-pit of peat, and it roared high; in the light from its flames she could see the strangers better. “Pirates, are ye? Come to parley for passage out of the Abyss? No intruders do I welcome here.” Before the strangers could respond, she whipped her gaze across them, to her erstwhile lover: “Jason, whom have you brought me? And why?”

You! You called us here?” Jason rummaged through her soul with wide, reproving eyes. “Pirates, are we, Mother?” He sighed. “Heroes, while we lived. You know the truth, helped make us what you see. In those days, what we took by force and guile we won honorably, not by theft or piracy, but by deeds done to please our gods. And you know it. As for whom we brought — we brought those we need.”

“You’re pirates all, you and yours, Jason: robbers on sea or shore — of goods and hearts and souls.” In that distending moment, Medea wrestled her fatal flaw: she yet found Jason fetching; as much as once she’d loved him, she loved him still: an infuriating weakness, a wound within her riven breast that would not heal. In hell’s own time, that love would turn to hate. Must. For his fate — and his crew’s — she had predestined.

Behind, a shuffle in the crowd of sailors begat Orpheus, elbowing his way to the fore as the sloe-eyed creature by Jason stared hard at her and asked, “And now? Pirates still? Or is it something else? I’ve often said, ‘Where both deliberate, the love is slight.’”

The goat-bearded soul with him added: “And I, that ‘the lunatic, the lover, and the poet/ Are of imagination all compact.’ Pirate once is pirate forever, good for our purpose and for the lords of hell. Orpheus, what say you?”

Medea blinked, dumbstruck by these brazen strangers, so full of themselves and obscure pontifications.

Orpheus, red-haired master of music and poetry, wizardry and augury, unslung a lyre from across his back, then glanced from Jason to Medea to the strangers, and said:

“You ask what I say? I say, beware this sorceress, her caustic hate. One who tears her family to shreds cannot be trusted.” Curling around his lyre, Orpheus plucked one string, one chord, and strummed another. “Set your terms for this parley, old shipmate. Say what you want.”

From the lyre of Orpheus, a theme surrounded the Argonauts. Tones to make Sirens coo, teach trees to dance and rocks to sing, set about seducing Medea’s heart.

“Stop that music, Orpheus! Put by thine instrument of fell design. I know your fey tricks of old. Stay your hands. Part from that lyre. There’ll be no sorcery here but mine.”

The lyrist palmed his strings. Music died a death too curt.

*

[End of Excerpt]

Links:

https://www.amazon.com/dp/B06Y8WWKMT/

http://www.barnesandnoble.com/w/pirates-in-hell-chris-morris/

https://en.wikipedia.org/wiki/Chris_Morris_(author)

https://en.wikipedia.org/wiki/Heroes_in_Hell

https://www.fantasticfiction.com/m/janet-morris/

https://www.facebook.com/christophercmorrissings/

https://soundcloud.com/christopher-morris

http://www.barnesandnoble.com/w/pirates-in-hell-chris-morris/1126191917?type=eBook

http://www.barnesandnoble.com/w/pirates-in-hell-chris-morris/1126191917?ean=9780997758443

Facebook

https://www.facebook.com/JanetMorrisandChrisMorris/

https://www.facebook.com/christophercmorrissings/

Blog/Website

http://www.theperseidpress.com/

https://sacredbander.com/

Twitter https://twitter.com/uvmchristine

https://twitter.com/uvmchristine/media

RT: “Christopher Crosby Morris has it all,” says Vinnie Colaiuta: Everybody Knows Singing Horse https://www.amazon.com/dp/B01E0ZTI30/ref=cm_sw_r_tw_dp_x_6Q5nyb7ENEWYA  via @amazon

Photo published for Everybody Knows

Everybody Knows

Everybody Knows

amazon.com

Amazon

https://www.amazon.com/Chris-Morris/e/B008L41JNO

https://www.amazon.com/dp/B06Y8WWKMT/

https://www.amazon.com/Pirates-Hell-Heroes-Janet-Morris-ebook/

https://www.amazon.com/Chris-Morris/e/B008L41JNO

https://www.amazon.com/Pirates-Hell-Heroes-Janet-Morris/dp/0997758449/

Goodreads

https://www.goodreads.com/series/40812-heroes-in-hellPirates 166 meg

Joe Bonadonna reviews The Golden Sword by Janet Morris, 2nd volume in her classic Silistra Quartet

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Joe Bonadonna’s Amazon review of The Golden Sword, #2 in the Silistra Quartet:

5.0 out of 5 stars A GROUND-BREAKING CLASSIC RETURNS!, March 27, 2017
This review is from: The Golden Sword (The Silistra Quartet) (Volume 2) (Paperback)
Call it what you like: science fiction, space opera, sword and planet or erotic fantasy . . . The Golden Sword is all these things, and so much more. A highly intelligent and sensual novel filled with ideas and revelations, this is a gripping story that explores human sexuality and the role it plays in politics. Although the memorable characters are bisexual, toss away all your preconceived notions, for there is a humanity, a strength of will and determination, a realism and depth of emotion to these characters that will have you thinking twice about all you know and all you think you know. This is a book for mature and discerning readers who like some meat on the bones of the books they read. Janet Morris led the way for all the science fiction authors, both male and female, who came after. This is the second book in her classic “Silistra Quartet” series, which continues on through two more volumes. In this epic, second novel, Estri, the heroine of “The High Couch of Silistra,” ventures further than she ever has before into her exotic world of sensuality and politics. This time out, she encounters Chayin, a prince of an alien culture, and discovers more about her fate . . . past, present and future. This is a powerful, exciting novel filled with passion and adventure, ideas and thought-provoking philosophies. Janet Morris truly smashed through barriers and broke new ground with her “Silistra” series, and is still breaking new ground in these new, “Author’s Cut” editions that delve further and deeper into Estri’s universe and into the grand vision the author had when she first set out to write this series. This is science fiction for thinking adults.
All four volumes of The Silistra Quartet, including High Couch of Silistra, The Golden Sword, and The Carnelian Throne, are now available as new, updated and definitive Author’s Cut Editions in e-book, deluxe trade paper, and collector’s hardback from Perseid Press on Amazon and wherever new books are sold.
Read about The Golden Sword on Wikipedia:  https://en.wikipedia.org/wiki/The_Golden_Sword
Read about The Golden Sword on Library of Erana: https://libraryoferana.wordpress.com//?s=The+Golden+Sword&search=Go
Buy the Golden Sword on Amazon, Barnes & Noble, and other fine stores where new books are sold.

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Andrew P. Weston reviews The Carnelian Throne by Janet Morris

Bestselling author Andrew P. Weston reviews Janet Morris’ The Carnelian Throne, 4th and final novel in The Silistra Quartet.

The Carnelian Throne by Janet E. Morris

My rating:
5 of 5 stars
The Carnelian Throne (Silistra, #4)
by Janet E. Morris (Goodreads Author)
8483681
Andrew Weston’s review Mar 31, 2017
it was amazing

At the conclusion of “Wind From the Abyss,” the most esoterically enchanting chapter of the Silistra Quartet, Sereth–a master Slayer turned renegade, Chayin–cahndor of Nemar, and Estri–former well keepress of Astria, overcame almost insurmountable odds to form a triune thought to represent a vision of supreme authority as foretold in ancient prophecy.
And prophecy is everything, for Owkahen – the time-coming-to-be – continues to set the tone and tempo as events flow toward a culmination that will determine the verity of what was augured in ages past.
The “Carnelian Throne” begins with our protagonists exploring a forbidden continent. A land where technological and intellectual arrogance has forged upheaval, man is subservient and the result of thousands of years of genetic manipulation has reaped incredible and deathly ramifications.
It is into this cauldron of uncertainty that Sereth, Chayin and Estri venture, unwittingly triggering a series of events that soon overtake them…or do they?
Closer examination reveals a startling juxtaposition is manifesting all around them. Epoch-spanning cycles are maturing. The wheels of circumstance have almost turned full circle and creatures of disparate genesis are brought together at a time and place that tends to support the supposition that destiny is being shaped by a biology long in the making.
Yes, witness at last the summation of catalysis genetics as they reach a pivotal nexus in a black glass chamber bathed in amber light.
If, like me, you’ve been eagerly awaiting the final installment of this epic adventure, I can assure you, you won’t be disappointed. The Carnelian Throne is artfully written, employing engrossing characters and a skillfully crafted plot that involves you from the very beginning and keeps you enthralled to the final page.
My honest opinion?
This is a truly engaging adventure. I thoroughly enjoyed it and it’s one saga I’ll keep coming back to again and again.

New, definitive Author’s Cut editions from Perseid Press include e-book, deluxe trade paper, and hardback.

Get all four volumes:  https://www.amazon.com/gp/product/B06XFHJVRG?ref=series_rw_dp_labf

 

 

Book Spotlight: The Carnelian Throne by Janet Morris. Author’s Cut Edition

Book Spotlight – The Carnelian Throne – Science Fiction/Spec Fic/Fantasy

see original post at: https://libraryoferana.wordpress.com/2017/03/25/book-spotlight-the-carnelian-throne-science-fictionspec-ficfantasy/comment-page-1/#comment-1604

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Title: The Carnelian Throne

Author: Janet Morris

Genre: allegorical fiction, science fiction, fantasy, political fiction

Main character description (short).

In a far and dystopian future, three rulers seeking to make truth of prophecy explore the “shores of which none are empowered to speak,” a forbidden continent where humanity no longer rules.

Synopsis:

Brief Excerpt 250 words:

“Gate!” he bellowed over the storm, his dripping lips at my ear. The deluge had made us sparing of words. Under leathers soaked to thrice their weight, I shivered in spasms. Arms clutched to my sides, I stared into the rain. The driven sheets slashed me for my audacity. Lightning flared, illuminating the riverbank white. A moment later, the bright noise cracked through my head. The hillock trembled.

Over the gate danced the lightning. Its crackling fingers quested down thick-crossed slabs of iron, seared flesh. Emblazoned as they tumbled were those six-legged amphibians, their streamered tails lashing, scaled, fangful heads thrown back in dismay. I saw their afterimage: beryl and cinnabar, aglow upon the storm. Then their charred remains splashed into oblivion, spun away on the fast current.

“Down!” One man shouted, the other shoved me, and as I staggered to kneel in the sedges, the god that washed this land shook it, grumbling. I crouched on my hands and knees on the bucking sod, between them. Little protection could they offer up against shaking earth and searing sky, not even for themselves, without divorcing themselves from the reality they had come here to explore. And that they would not do.

Somewhere far off the weather struck earth again. We knelt on a fast-declining shore. On our right and left, steeps ascended, cresting in a plume of dense rain forest. In that moment of illumination the whole river valley and the gate set into the river stood bared of shadow. Six times the height of a man was that gate.

Why should readers buy this book (50 words max)?

The Carnelian Throne makes you think as it explores the revenge of nature upon humanity once we have despoiled land and sea, and what our manipulation of genetics may mean for the future as the three foretold seek truth in prophecy where men no longer rule.

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Links etc.

Kindle On Amazon: https://www.amazon.com/dp/B06XDC8Y4K/

Hardcover on Amazon: https://www.amazon.com/Carnelian-Throne-Silistra-Quartet/dp/099775835X/

Trade paper on Amazon: https://www.amazon.com/Carnelian-Throne-Silistra-Quartet/dp/0997758341/

Hardcover on Barnes and Noble

Paperback on Barnes and Noble

Nook Edition

The Silistra Quartet on Black Gate Magazine: https://www.blackgate.com/2016/03/19/vintage-treasures-the-silistra-quartet-by-janet-morris/

Google Books: https://books.google.com/books/about/The_Carnelian_Throne.html?id=NJcIMQAACAAJ&source=kp_cover

About the Author:  Best selling author Janet Morris began writing in 1976 and has since published more than 30 novels. She wrote the bestselling Silistra Quartet in the 1970s, including High Couch of Silistra, The Golden Sword, Wind from the Abyss, and The Carnelian Throne. This quartet had more than four million copies in Bantam print alone, and was translated into German, French, Italian, Russian and other languages. In the 1980s, Baen Books released a second edition of this landmark series. This third edition is the Author’s Cut edition, newly revised by the author for Perseid Press. Most of her fiction work has been in the fantasy and science fiction genres, although she has also written historical and other novels. Morris has written, contributed to, or edited several book-length works of nonfiction, as well as papers and articles on nonlethal weapons, developmental military technology and other defense and national security topics.

The 40-Minute War Review by J. Jonas

Review from Amazon:40minwar-audiobook5.0 out of 5 stars Excellent thriller, March 3, 2017
This review is from: THE FORTY-MINUTE WAR (Kindle Edition)

The Forty-Minute War is a novel that crosses genres, effortlessly incorporating elements of speculative fiction, spy thriller, black ops, romance and science fiction. The tale of jihadists setting off a nuclear bomb is as relevant in this updated book as it was when originally written in 1984. The story is timeless, apt for today, possibly even more than it was then.

The reader follows the fortunes of Marc Beck, a charismatic employee of the US State Department, Chris Patrick who is a newspaper journalist and Beck’s love interest, and Ashmead, a hardened CIA operative who leads a team of counter-terror black ops assassins. Together they weave in and out of a taut story and the tension makes the book hard to put down. There are twists and turns in this book that keep the reader gripped to the end. The characters live and breathe and I felt their pain, their tears, their love and their black humour.

The writing, as always regarding these authors, is excellent. As a devotee of novels by John Le Carre I never thought I would find authors writing in a similar genre who have the same wordsmith qualities as Le Carre, yet here they are. The depth, pace and quality of the book is certainly on equal terms. Underscoring the fast pace is the voice of authenticity and experience which lends credibility, giving fascinating insights into black ops in a Middle Eastern setting.

Highly recommended, and it deserves to be better known.

40minwa_kindler2
Music to read this book by, free to listen:  https://soundcloud.com/christopher-morris/no-mans-land

Guest Blog: Regarding wizards and dragons by Thomas Barczak author of Mouth of the Dragon

Thought-provoking interview and author’s own art illuminates Mouth of the Dragon article on Thor Jr’s.

Mighty Thor JRS - Fantasy Book News & Reviews

As part of my author guest blog series I am proud to present another guest blog spot.  Thomas Barczak the author of Mouth of the Dragon has been kind enough to write a guest blog post for MightyThorJRS today. I am very excited and I would like to thank Tom for the opportunity to host this Guest Blog. 

Mouth of the Dragon: Prophecy of the Evarun

by Thomas Barczak

Is Out NOW

So go get your copy!

http://www.theperseidpress.com/


Regarding wizards and dragons

by Thomas Barczak

I have gotten to have a few conversations lately about certain aspects of my writing that differ from certain fantasy stereotypes. So I thought I would share a little bit more about that, principally regarding wizards and dragons.

One memory that has always hangs with me, is how the wizards of Robert E Howard’s Conan universe first made me feel.

Creepy.

View original post 1,058 more words

I the Sun, a review by Peru Editor

5.0 out of 5 stars Historical Fiction that is Unafraid of History, February 27, 2017
This review is from: I, the Sun (Kindle Edition)

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I, the Sun, the life and times of Suppiluliumas I, the greatest Hittite king. In deluxe trade, ebook, and as an audiobook narrated by Christopher Crosby Morris

Unlike most historical novels, ‘I, the Sun’ does not try to impose modern morality upon an ancient civilization. After all, what is the point of claiming to be a work of “historical fiction” if you are bound by the preconceptions of modern times? However, that aspiration is easier to state than to achieve, and many authors end up failing in their quest for historical accuracy in favor of creating a mass media narrative. As a result, the market is flooded with so-called historical novels that are in no way representative of whatever era they examine.

In this work, Janet Morris has made some courageous choices. Above all else she strives to embrace the brutality and social norms of an era that took place fourteen hundred years before Christ. The book is, in many ways, an intelligence test for those who come upon it. Wittingly or not, readers seek nothing more than the same old “Disney approved” prepackaged plot set in a different historical landscape. That’s not what you’re going to get with ‘I, the Sun.’

One of the most common complaints about modern heroic writing is that there aren’t enough female characters. But too often, authors simply take a male character and give him a female name in order to satisfy gimmicks like the Bechdel test. But what the Bechdel test fails to account for is the existence of realistic women who are engaged in plausible, gender related issues. It’s easy to write a “superhero” female character. But it’s far more interesting to show a powerful woman who manages to exert her influence although she is subjected to a powerless social role.

The women of ‘I, the Sun’ are fascinating, and in many ways they are more interesting than the titular character. They are mothers, slaves, prostitutes and witches, and they conduct themselves with strategic intelligence and a tremendous survival instinct. They fight tooth and claw in darkness and lose often, just like real people.

The prevalence of brutal actions in this book will rightfully make the reader squirm, but engaging in the intellectual exercise of examining the consequences of historical thinking is exactly the point. What are the effects of living in a cruel society, not just the torments of the moment but the prolonged mental burden of surviving within such a world? That’s the theme that Janet Morris bravely tackles in ‘I, the Sun.’ Are her conclusions correct? Who knows? But this novel does indisputably embrace the hard questions of a specific historical age and wrestles with them with intellectual honesty even at the risk of alienating overly delicate readers. The result is a remarkable novel, beautifully written, that will linger with you long after you’ve closed the cover.”

Also available from Barnes & Noble and Nook, as well as wherever ebooks and paper books are sold.
The Ancient Near East comes to life in I, the Sun.

 

See the original review on Amazon:  https://www.amazon.com/review/R2B83HD484TF14/

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