Tempus Unbound by Janet & Chris Morris reviewed on Library of Erana

Review – Tempus Unbound #Fantasy – Janet Morris

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Review for Tempus Unbound

5 stars

This particular Tempus/Sacred Band book is a little different – for a start, it’s all from Tempus’ point of view, and we have only Tempus himself, Cime and Askelon from the former books. Don’t let this put you off, there’s a host of worthies – not least Mano the mercenary from the future and bad guys to rival anyone in Sanctuary.

Called to Lemuria, a strange citadel between the worlds, and times it’s a chance to right wrongs if only you can work out WHICH wrongs. Tempus is lonely, alone save for his petulant and truculent god. Who is who, and who needs whom? That’s one of the questions asked as Tempus fights an old enemy in a new and unfamiliar world. The future is dark, and war will out. Strife is all and king of all. And so it was in his own time, and in this possible future. We see our hero struggle with technology he can barely imagine and his friends see power and courage they can barely comprehend. Gods, magic and tech fight as Tempus tries to save his sister, and save the world from his deadly sister. Choices are made, and regrets are put aside in the names of love and courage. Ideals are questioned, and truth is harsh.

As usual, the characters are supremely crafted, with a richness that brings emotion and a real sense of reality. In Morris’s world, anything is possible, and the reader believes it.  These aren’t easy reads, they have a high level of violence, sex and themes that require the reader to engage their brain. But this, and the other Sacred Band/Tempus books are worth the time, and the brainpower. Rarely does a reader find a world so rich, or characters so enchanting, or writing so lyrical.  The tempo of the book is a call to war, a call to stand for what is good, and a call to give all.

Heartily recommend this – even if you’re unfamiliar with the characters, and setting Tempus Unbound takes the reader on a journey from ancient times, to a future and it’s a thrilling journey and is a great intro to Tempus and his worlds.

 

Andrew P. Weston reviews the new Author’s Cut edition of Tempus Unbound by Janet & Chris Morris for Amazon UK.

Format: Kindle Edition

     Tempus the Black – Lord of Time, Commander of the Sacred Band, Avatar of Enlil the storm god – enters Lemuria on New Year’s Eve, not quite sure why his deity has seen fit to place him there.
Once inside, he becomes a guest of Chiara – the Evening Star – and is invited to a sumptuous feast where he is greeted by a number of other visitors who, as it transpires, are from different epochs of earth’s history. Mingled in amongst them is none other than Aškelon of Meridian, Lord of Dreams and entelechy of the Seventh Sphere; onetime husband of Tempus’ sister, Cime.
While the majority of the group believes they are there to determine the fate of billions in the present and future by undoing mistakes & manipulating events in the past, Tempus suspects events are being staged, for Cime had disappeared from the land of dreams, along with her deadly rods. Thus begins the hunt that sees the storm god’s avatar transported to present day – and 22nd Century – New York.
Tempus in New York! Can you imagine?
The culture shock itself leads to some rather imaginative confrontations. And that’s only the beginning, for there is an Archmage and his minions to kill.
Enmity is guaranteed. Combat is inevitable. Bloodletting abounds.
Along the way, old wounds are opened; long held grudges come to the fore; bitter lessons are learned; eternal stories come full circle; and Tempus discovers just how intimately his affairs are interwoven to that of his god.
Having read all of Tempus’ adventures, I have to say this is one of my favorites. Fast paced, engaging and thoroughly enjoyable, it adds a clever twist to his epic narrative and keeps his story as fresh today as it’s always been.
     Tempus Unbound, #2 in the Sacred Band Book series,  is available in a new Author’s Cut Edition from Perseid Press  in digital, trade paper, and hardback formats on Amazon worldwide, Barnes & Noble, and everywhere else….
     And if you’re not yet a fan of the Sacred Band books and series, here’s a thumbnail to whet your appetite:
“Janet Morris, Tempus (1987), and, with Chris Morris, Tempus Unbound (1989), The Sacred Band (2010).

“A fantasy series about the Sacred Band of Stepsons, an elite army modeled on the fourth-century B.C.E. Sacred Band of Thebes. The stories explore the fraught personal relationships of mixed hetero- and homosexual troops, only sometimes paired, as they fight for their commander, the immortal Tempus. Morris includes archaeological and historical details, from physical items to social practices, religion, and philosophy, to create a fantasy world that is, in many ways, more historically accurate than many popular accounts of antiquity.” — Robert W. Cape, Jr, in Classical Traditions in Science Fiction, Brett M. Rogers & Benjamin Eldon Stevens, eds.,  Oxford University Press

The Sacred Band series takes a bow

From Oxford University Press:

“Janet Morris, Tempus (1987), and, with Chris Morris, Tempus Unbound (1989), The Sacred Band (2010).

“A fantasy series about the Sacred Band of Stepsons, an elite army modeled on the fourth-century B.C.E. Sacred Band of Thebes. The stories explore the fraught personal relationships of mixed hetero- and homosexual troops, only sometimes paired, as they fight for their commander, the immortal Tempus. Morris includes archaeological and historical details, from physical items to social practices, religion, and philosophy, to create a fantasy world that is, in many ways, more historically accurate than many popular accounts of antiquity.” — Robert W. Cape, Jr, in Classical Traditions in Science Fiction, Brett M. Rogers & Benjamin Eldon Stevens, eds.,  Oxford University Press

 

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The Sacred Band series of books by Janet Morris and Chris Morris have been cult sensations for decades. Now three of those books have received a notice close to my heart.

 

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The Tempus Unbound novel has been newly released on Kindle and Nook, and will soon be published in deluxe trade paper and hardback avaiable worldwide.

Kindle: https://www.amazon.com/Tempus-Unbound-Sacred-Band-Book-ebook/dp/B072KF7SRW/

Nook:  https://www.barnesandnoble.com/w/tempus-unbound-janet-morris/1000037156?ean=2940157575472

 

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The Sacred Band novel itself is available in e-book, trade paper, hardback and audiobook:

Kindle: https://www.amazon.com/Sacred-Band-Stepsons-Book-ebook/dp/B00AMLKJAI/

B&N Nook: https://www.barnesandnoble.com/w/sacred-band-janet-morris/1100390034?ean=2940015747836

B&N trade: https://www.barnesandnoble.com/w/sacred-band-janet-morris/1100390034

Amazon trade: https://www.amazon.com/Sacred-Band-Janet-Morris/dp/0988755009/

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The Sacred Band audiobook can be found at:

Amazon: https://www.amazon.com/The-Sacred-Band/dp/B00N1YRVH2/

Audible.com: https://www.audible.com/pd/Sci-Fi-Fantasy/The-Sacred-Band-Audiobook/B00MU2VCEO?qid=1497978985&sr=1-1

and iTunes: https://itunes.apple.com/us/audiobook/the-sacred-band-unabridged/id912905236

 

Read a free preview of the Sacred Band here:

 

 

And, should you want more Sacred Band of Stepsons stories and novels, the entire series to date is available from:  http://www.theperseidpress.com/?page_id=921

As the Sacred Banders say, “Life to you, and everlasting glory.”

 

I the Sun, a review by Peru Editor

5.0 out of 5 stars Historical Fiction that is Unafraid of History, February 27, 2017
This review is from: I, the Sun (Kindle Edition)

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I, the Sun, the life and times of Suppiluliumas I, the greatest Hittite king. In deluxe trade, ebook, and as an audiobook narrated by Christopher Crosby Morris

Unlike most historical novels, ‘I, the Sun’ does not try to impose modern morality upon an ancient civilization. After all, what is the point of claiming to be a work of “historical fiction” if you are bound by the preconceptions of modern times? However, that aspiration is easier to state than to achieve, and many authors end up failing in their quest for historical accuracy in favor of creating a mass media narrative. As a result, the market is flooded with so-called historical novels that are in no way representative of whatever era they examine.

In this work, Janet Morris has made some courageous choices. Above all else she strives to embrace the brutality and social norms of an era that took place fourteen hundred years before Christ. The book is, in many ways, an intelligence test for those who come upon it. Wittingly or not, readers seek nothing more than the same old “Disney approved” prepackaged plot set in a different historical landscape. That’s not what you’re going to get with ‘I, the Sun.’

One of the most common complaints about modern heroic writing is that there aren’t enough female characters. But too often, authors simply take a male character and give him a female name in order to satisfy gimmicks like the Bechdel test. But what the Bechdel test fails to account for is the existence of realistic women who are engaged in plausible, gender related issues. It’s easy to write a “superhero” female character. But it’s far more interesting to show a powerful woman who manages to exert her influence although she is subjected to a powerless social role.

The women of ‘I, the Sun’ are fascinating, and in many ways they are more interesting than the titular character. They are mothers, slaves, prostitutes and witches, and they conduct themselves with strategic intelligence and a tremendous survival instinct. They fight tooth and claw in darkness and lose often, just like real people.

The prevalence of brutal actions in this book will rightfully make the reader squirm, but engaging in the intellectual exercise of examining the consequences of historical thinking is exactly the point. What are the effects of living in a cruel society, not just the torments of the moment but the prolonged mental burden of surviving within such a world? That’s the theme that Janet Morris bravely tackles in ‘I, the Sun.’ Are her conclusions correct? Who knows? But this novel does indisputably embrace the hard questions of a specific historical age and wrestles with them with intellectual honesty even at the risk of alienating overly delicate readers. The result is a remarkable novel, beautifully written, that will linger with you long after you’ve closed the cover.”

Also available from Barnes & Noble and Nook, as well as wherever ebooks and paper books are sold.
The Ancient Near East comes to life in I, the Sun.

 

See the original review on Amazon:  https://www.amazon.com/review/R2B83HD484TF14/

I, the Sun on History Rocks

see the original post on https://historyrocks.us/2017/02/19/i-the-sun/

I, the Sun

From the annals of the ancient Hittite king, Suppiluliumas, from the Amarna Letters of Egypt and the court records of a wealth of “lost” civilizations, comes this saga of kingship and greatness, love and death, politics and treachery in the second millennium, BCE. Beyond a few cursory references to the Hittites in the Bible, for thousands of years nothing has been known of this first mighty Indo-European culture. sun-cover

Now, based on translations of the ancient texts themselves, comes the story of Suppiluliumas, Great King, Favorite of the Storm God, King of Hatti, who by his own count fathered forty-four kings and conquered as many nations, who brought even mighty Egypt to her knees. Tutankhamen’s widow sent him an urgent letter begging for a son of his to make her husband. The earliest Hebrews knew him as their protector. The entire Mediterranean world revered and feared him.

But although he conquered armies, countries, and even foreign gods, he could not conquer his love for the one woman fate denied him, the Great Queen Khinti. With the exception of a single slave girl, every prince and general, mercenary and scribe, princess and potentate chronicled in these pages actually lived, loved and died nearly fourteen hundred years before Christ.

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Now they live again in I, the Sun.

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Download the audiobook here

Read the recent review of I, the Sun from Black Gate Magazine.

Get the book at these sites:

Amazon   B&N   iTunes   Google   WalMart

Meet the Author

https://en.wikipedia.org/wiki/Janet_Morris

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Andrew P. Weston meets Mighty Thor Jr

See the original post at: https://mightythorjrs.wordpress.com/2017/01/11/guest-blog-welcome-to-my-world-by-andrew-weston-author-of-the-ix-and-exordium-of-tears/

Mighty Thor Jr. Guest Blog: Welcome To My World by Andrew Weston author of The IX, and Exordium of Tears

As part of my author guest blog series I am proud to present another guest blog spot. Andrew P Weston the author of The IX, and Exordium of Tears has been kind enough to write a guest blog post for MightyThor JRS today. I am very excited and I would like to thank Andrew and Perseid Press for the opportunity to host this Guest Blog. 

The IX

by Andrew P Weston

is Out NOW!

and

Exordium of Tears

by Andrew P Weston

is available now!

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So go get your copies!

http://www.theperseidpress.com/


Welcome To My World

By Andrew Weston

When it comes to writing, one of my “things” is what most people refer to as – World Building – the process of constructing an imaginary framework in which to set your epic adventure. What’s a shame is the fact that, in many cases, authors don’t put enough effort into creating a real setting for their stories, something that contains sufficient coherent qualities such as history, geography, ecology and suchlike. Yet, when you think about it, this is a key task, especially for novelists like me who concentrate on science fiction and fantasy.

So, how do I do it?

I usually begin my process from the top down. What does that mean? Basically, I devise a general overview of the world in which I’m going to set my creation and then I start working inwards. Here’s a broad example of what I did for the IX Series:

I started by considering where the world – Arden, the main location where adventure begins – would be situated.

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What type of sun would it have? Who would be its inhabitants and what was their history? What level of technology did they possess? What geographical and topographical features does Arden have how does this affect things like climate and skin tone?

Once I’d determined those facets, I started to add smaller details in layers – or as I refer to them – modules.
Personally, I devise a number of sketches from which I can create maps, bases or starships, etc, and continually refine them as I go along until I have something concrete.

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That might sound a lot of trouble to go to, but it gives me a sense of scale from which I can later determine other factors like timing and provisions and equipment, (especially important if different groups of protagonists and antagonists clash at varying venues). I also find this method allows me to build well-integrated societies or storylines, which in turn, reflects a superior level of quality and realism within the narrative itself.

This is another vital ingredient we writers have to ensure. We want the picture we create in the readers minds to be as vivid as possible. You can’t do that unless you create a solid foundation for them to recreate our vision in their own minds.

That’s why I go so far as to construct actual languages, flora and fauna, behavioral and migratory patterns. Don’t get me wrong, I don’t drown the reader in a deluge of detail, but I have lots of elements ready – at my beck and call, so to speak – so I can add the little touches here and there that gradually fills the narrative out and makes it sparkle.
Imagine, for a moment, how that helps the reader to connect to, and bring your imaginary world to life.

I like to think of my stories as rough diamonds. To begin with, I’ve got an absolute gem of an idea to work with. But it’s rough and lackluster. I need to examine it closely and buff it up with world building. Decide what to engrave and shape, and where to spend time grinding and polishing. As it gets into the final stages, I make sure each facet gleams and that there’s a sharp definite edge to the final cut, a depth and perspective you won’t see until you’ve viewed all the angles.

One of the main ingredients in my imaginary worlds is the “keep it real” ethic. I’m fortunate to be a Master of Astronomy. So, when I devise my fictional setting, I base futuristic technology on the very latest theoretical science.

And think about what’s been in the news over the past year or so: teleportation was the stuff of pure science fiction not so long ago, but now, scientists can transport quantum packets of information through the ether with remarkable clarity and accuracy; we can levitate objects; have artificial air scrubbers that make the foulest environment breathable; there are engines under development that researchers are sure will punch us to Mars in a matter of weeks, not months.
All these things help me stretch the imagination that little bit further, so my readers can seriously consider…“Yes, the citizens of Arden – thousands of years in advance of our own – use everyday constructs that we are only just delving into. I can believe that.”
Once you establish such a connection, you’ve got your readers hooked…
Then it’s just a matter of reeling them in.

How to do that?

Aha – we’ll chat next time in – Keeping Things Balanced 🙂


Andrew P. Weston is Royal Marine and Police veteran from the UK who now lives on the beautiful Greek island of Kos with his wife, Annette, and their growing family of rescue cats.

An astronomy and law graduate, he is the creator of the international number one bestselling, IX Series and Hell Bound, (A novel forming part of Janet Morris’ critically acclaimed Heroes in Hell shared universe). Andrew also has the privilege of being a member of the Science Fiction and Fantasy Writers of America, the British Fantasy Society, the British Science Fiction Association and the International Association of Media Tie-In Writers.

When not writing, Andrew devotes some of his spare time to assisting NASA with one of their remote research projects, and writes educational articles for Astronaut.com and Amazing Stories.

Author Website: http://www.andrewpweston.com/


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Exordium of Tears

by Andrew P Weston

Fight or die.

That simple yet brutal reality is the tenet by which the refugees from Earth – including the fabled lost 9th Legion of Rome; the 5thCompany, 2nd Mounted Cavalry Unit; and the Special Forces Anti-Terrorist Team – were forced to live by while the Horde menace existed. Believing that the threat is over, the survivors now yearn to settle down, start families, and reclaim the lives stolen from them.

But such aspirations might remain beyond their reach, for a shadow looms on the rose-tinted horizon of new beginnings.

The release of the re-genesis matrix has done much to foster a restoration of exuberance across Arden. Along with a resurgence in floral and faunal diversity comes the results of splicing the Ardenese and human genomes: transmutation. A metamorphosis of stunning magnitude that not only affects the living, but those still is stasis as well.

Recognizing the emergence of a new hybrid species, the Architect – the arcane AI construct tasked with the preservation of the Ardenese race – responds by unlocking previously hidden and inaccessible areas of the city. It also releases an archive of sealed state secrets. Such revelations are eagerly perused, whereupon a shocking discovery is made.

Prior to the fall, it was common knowledge amongst the Senatum (the highest levels of Arden’s government) that not all the rabid Horde had joined in the rampage across the stars toward Arden.

Realizing that the peril still exists, the newly reformed administration elects to respond in earnest. Existing resources are utilized, suitable candidates are chosen, and a flotilla of ships is sent out to secure, quarantine, and reclaim the outer colonies.

A mammoth and hazardous undertaking. And nowhere more so than at the planet from where the outbreak was known to have originated – Exordium – for there, the ancient Horde are not only supremely evolved and highly organized, but are capable of a level of lethal sophistication, the likes of which has never been witnessed before.

It is into this kiln of incendiary potential that the cream of Arden’s fighting forces is deployed.

Worlds are torn asunder, suns destroyed, and star systems obliterated. Yes, tragedy is forged, in a universe spanning conflict which proves once again that…

Death is only the beginning of the adventure.

http://www.theperseidpress.com/

ALSO AVAILABLE:

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The IX

by Andrew P Weston

Roman legionaries, far from home, lost in the mists of Caledonia.

A US cavalry company, engaged on a special mission, vital to the peace treaty proposed by Presidential candidate Abraham Lincoln.

A twenty-first century Special Forces unit, desperate to prevent a nuclear catastrophe.

From vastly different backgrounds, these soldiers are united when they are snatched away from Earth at the moment of their passing. Thinking they may have been granted a reprieve, imagine their horror when they discover they have been transported to a failing planet on the far side of the galaxy, where they are given a simple ultimatum. Fight or die. Against all odds, this group of misfits manages to turn the tide against a relentless foe, only to discover the true cost of victory might exact a price they are unwilling to pay.

How far would you be willing to go to stay alive?

The IX.

Sometimes, death is only the beginning of the adventure.

http://www.theperseidpress.com/

Black Gate Adventures in Fantasy Literature reviews Dreamers in Hell

See the original Black Gate review by Joe Bonadonna at: https://www.blackgate.com/2013/07/18/giving-the-devil-his-due-a-review-of-dreamers-in-hell/ Giving the Devil His Due: A Review of Dreamers in Hell

Thursday, July 18th, 2013 | Posted by Joe Bonadonna

Dreamers in Hell-smallDreamers in Hell (Heroes in Hell, Volume 15)
Created by Janet Morris, edited by Janet and Chris Morris, and written “with the diabolical assistance of their damnedest writers.”
Perseid Press (478 pages, June 13, 2013, $23.95 in trade paperback)

It is a place of swords and spears, revolvers and automatic weapons, sorcery and science, catapults and cannon, bows and arrows, computers and demons. It is a place where there is no Hope for the damned, merely the suggestion of it.

Welcome to Hell, where Perdition rules. Whether a soul believes in Hell or not, Hell believes in damnation of the mortal soul. Anyone can end up in Hell, no matter what religion, no matter what faith. You may not believe in Hell, but Hell believes in you.

In Hell, all things are possible. In Hell, many of the damned believe they have been wrongly sent there, while others accept their fate and try to make the best of a bad situation. In Hell’s Mortuary, the Undertaker giveth and taketh away, revives and reassigns the damned — again and again — so they can continue their dance with the Devil. Yes, welcome to Hell — where rogues and heroes and fools quest for a way out, and Satan plots to storm the Gates of Heaven.

Ah, but wait… the powers that be in Heaven have decided that Hell has become too comfortable. Infernity is in trouble. El Diablo is lying down on the job.

Heaven has sent Erra, Babylonian god of plague and mayhem, and his 7 Sibitti (his Auditors, his Enforcers, his personified weapons), to further punish the innocent as well as the guilty, and they do so with great glee. They are Hell’s judge, jury, and executioners. Satan can’t even run Hell the way he wants to run it. Paradise mocks him. Will Erra replace Satan? Make things worse for everyone in all levels and versions of Hell — past, present and future?

Dreamers in Hell is the 14th volume in this best-selling series, which has seen stories nominated and winning Hugo and Nebula awards. It is also the most ambitious book to date in this highly successful and most brilliant shared-universe of all. So let’s get started, shall we?

Heroes in HellChris Morris gets things off to a grand start with Fools in Hell. Satan plans a great festival to celebrate the rebuilding and reopening of the Hellexandrian Library. (Guy Fawkes, in an earlier tale, had destroyed the Library, as well as the Hall of Injustice in his attempt to assassinate Satan.) Shakespeare and Christopher Marlowe write a play for Satan, who enlists their aid in yet another of his nefarious schemes. And who knows what wicked games, what sinister machinations lurk in the mind of His Satanic Majesty, aka HSM?

“Leave me in hell then! But leave my hell alone!” Satan screams to “Above,” in Janet Morris’ wonderful Alms for Oblivion. There is too much overcrowding in Hell for Satan’s liking. So he sets into motion plans to prove that Humankind is unworthy of Hell or redemption, and deserves only oblivion. Rid Hell of Humankind, and the Netherworlds won’t be plagued by Erra and his 7 Auditors from Above running amok throughout Satan’s rightful domain.

In Nancy Asire’s clever little The Unholy Hole, Caesar’s magnificent villa is totally destroyed, leaving but a massive hole in the ground upon which it stood. No survivors can be found. Are the dastardly Erra and his 7 Auditors behind this attack? Or is it someone or something else? Napoleon and Wellington are recalled to active duty by El Diablo himself. Attila the Hun and Sulla’s “legions” join them. Countess Marie Walewska, who chose to spend eternity in Hell to be with Napoleon, arms herself and joins in the fun.

Next up is Yelle Hughes’s intriguing Essence Helliance. The King Infernal visits Medea of Colchis, the first wife of Jason of Thessaly, who works in Hell’s Mortuary. Old Scratch needs the essence and souls of the damned who have no chance for redemption. This, he tells her, is for a project he is working on. A headstrong, disrespectful, and somewhat mad woman, Medea is in charge of this “essence and soul distillery.” But is there more to Satan’s power play? Can anyone even guess at what his infernal end game may be? (I’ve been sworn to secrecy.)

Next is Sara M. Harvey’s lovely and sad, Barefoot, On Brimstone. Isadora Duncan awakens from a dream of dance-performance, green grass, and her children — only to find that she is alone, still in Hell, and the infamous scarf that had strangled her is still around her neck. But then she meets Pharzuph and Naamah, a pair of fallen angels. It seems she has been summoned to Sin Francisco, to see Joshua Abraham Norton, who had once declared himself Emperor of the United States and Protector of Mexico, and they are to be her escorts. But what she asks of him only one personage can give, and so she must go dance for the Prince of Darkness.

The Gates of HellShakespeare’s Ophelia, delicate and moody little flower that she is, finds herself once again in the hands of the Undertaker, in Shebat Legion’s wicked little vignette, Ophie and the Undertaker.Having twice attempted suicide, poor Ophie refuses to accept her fate in Hell and the fact that there is no escape. No matter how much the Undertaker takes from her, tenacious and stubborn Ophelia always finds herself crawling—or squirming—back to him.

In John Manning’s delicious Just Desserts, Jimmy Hoffa is union president of all Hell’s damned souls. Satan has ordered him to provide labor for the reopening of the Hellexandrian Library. Infamous Nazis Heinrich Himmler and Joseph Mengele, with a few friends, are hired as cooks under the supervision of Jewish gangster, Izzy Bernstein. Meanwhile, Matthew Hopkins thinks he’s found a way for him and fellow witchfinder John Stearne to get out of Hell and escape to Heaven, where they belong. Needless to say, everyone gets what they deserve.

Hell, I Must Be Going, is Michael A. Ventrella’s comedy-skit ode to the Marx Brothers, wherein Rufus T. Firefly and Ciccolini Ravelli, his assistant, are in charge of keeping track of all assignments in Hell. Enter one Margaret Dunwoody, who has come to question who they reallyare and what they are doing. Seems they’ve conned their way into positions where they can search for a missing brother who, for obvious reasons — is not in Hell. Hail, hail, Helldonia, land of the Knave and Unfree.

INFERNAL NOTICE: Weapons are not allowed at the grand reopening of the Hellexandrian Library. In Head Games, Bill Snider’s sly look at psychoanalysis in Hell, Fionn mac Cumhaill, accompanied by his friend Caliban, leaves his sentient spear Areadbhar at the door. Then, during an interview with Sigmund Freud, the spear begins talking to Fionn, though only Fionn can hear it. Old Siggy finds Fionn’s attachment to the spear quite “telling,” and begins to explain how the weapon is an extension of Fionn’s… well, I’m sure you can guess. Throw in the Staff of Merlin, which can talk to the Fionn’s spear, a guest appearance by Merlin himself, and one harridan named Sycorax, who is the mother of Caliban — and hellzapoppin!

Rebels in HellNext up is Tom Barczak’s heroic tragedy, Blood and Ash. Beowulf is still in the process of accepting his death when he encounters Boudica, Queen of the Iceni. Then they meet up with Joan of Arc, who has come to lead them out of Hell. All three are sorely wounded and badly burned, as you might imagine. The trio meets up with former writer turned tinkerer, Charles Lutwidge Dodgson, who gives Joan a Vorpal Blade that he calls ‘Alice.’ Before they can escape down the rabbit hole, along comes Erra and his 7 Sibitti Auditors. The unexpected happens, a sacrifice is made, and we discover that even in Hell, there is such a thing as Hope.

Hellexandria the Great is next at bat. Sarah Hulcy hits a home run as she tells us of Demetrius, the Chief Librarian, Makalani his assistant, and Caesarion and Brutus, the sons of Julius Caesar. Brutus and Caesarion are drafted as volunteers to act as guides for the guests at the upcoming gala in honor of the reopening of the Hall of Injustice and the Hellexandrian Library. During the boys’ training period, they hear of the destruction of their Dad’s villa by suspects unknown, and everyone is naturally on edge. (Could that all be part of Satan’s grand scheme to storm the gates of Heaven? At this point—anything is possible!) But everyone survives the big party, even though the witchfinders attempt to assassinate His Satanic Majesty.

David L. Burkhead’s The Knife-Edged Bridge is a tale of friendship and loyalty. It stars William Simpson, veteran of Second Manassas, Jim Bridger, scout and trapper, and Perseus, Son of Zeus. In olden times, this bridge was known as the Bridge to Paradise. But now… who knows where it leads? For them, it will hopefully lead out of Hell. But along the way, Bridger is horribly mangled and tortured, and Perseus goes missing. Setting out to rescue his mates, Simpson finds himself in a disturbing level of Hell he’s never seen before, where his friends are being tortured by demons, rather than having been sent back to the Undertaker for reassignment. Simpson rescues his friends, as well as Archimedes, who claims he should be in Hades or Tartaros, but not in Hell. So they all set out to find Erra and his 7 Auditors, hoping to get Archimedes’s punishment amended—and fearing that they might make it worse.

Our next item on the menu is Deborah Koren’s The Wager. It’s an interesting mash-up of the western and boxing genres, with a dash of Damon Runyon thrown in for seasoning. It stars Bat Masterson, the eternal gambler, and Wyatt Earp, who has become the manager of a boxer named Big Ed. Enter one Grayson, an atheist and former writer who refuses to accept that he’s dead and in Hell. Earp bets Masterson that he can’t convince Grayson that he is indeed dead and damned. As for what’s at stake, you’ll just have to read the story and find out for yourselves.

Crusaders in HellBettina S. Meister’s More Light is a very poignant, complex, and introspective yarn. Certain passages read like the inner monologue of poet and sorcerer, Johann Wolfgang von Goethe, who believes he has been wrongly sent to Hell. He suffers the daily humiliation of a poet’s soul. His sufferings of old age are daily presences in his life in Hell. He is tormented by memories of his mother, his wife, and his children. But even in the Realm of the Damned, one can find a friend, and he does — Karl Wilhelm Jerusalem, whose suicidal death Goethe had immortalized in his novel, “The Sorrows of Young Werther.” Arrogantly thinking that he can play with the powers of Hell, Goethe sets out to plead his case in hope of gaining salvation.

In the Shadow of Paradise is Jason Cordova’s excellent, first-person account of Juan Ponce de Leon y Figueroa’s common-sense approach to survival in Hell, set in Lost Angeles. The 7 Sibitti have destroyed Hellywood, and through a landscape of death and devastation, Figueroa travels to find a map showing the way out of Hell, using the waters of the Fountain of Youth underneath the Mortuary. And then he meets Marie Antoinette, who has somehow acquired the map. With her is her attendant, Henrietta, who is in possession of box that contains a Prophecy Head Doll that speaks with the voice of Rasputin. Meanwhile, two Angels from Above discuss whether or not there is such a thing as ultimate salvation, and whether or not even the damned can be redeemed.

Zero Sum Game is Richard Groller’s sci-fi seasoned take on what happens when Nikolai Tesla realizes what has been missing from his theoretical constructs. Tesla is Director of Infernal Research Projects. George Washington Goethals, once Chief Engineer in charge of building the Panama Canal, is Tesla’s assistant and ally. Thomas Edison is the comptroller of the Dept. of Infernal Energy. And Hero of Alexandria is the arbiter of the War of the Currents that is still being waged by Tesla and Edison. Tesla needs funding and is obsessed with besting Edison. Goethals has a penchant for skirting regulations. During the course of Tesla’s experiments, a worker demon is killed, and then a stress wave in the fabric of Space and Time causes one-third of New Hell to disappear. Could Thomas Edison be the saboteur? Tune in and find out!

Kings in Hell“All of Hell is a stage and the damned are merely players in Satan’s endless and infernal game.” So says Jack William Finley in his philosophical And the Truth Shall Set You Free, which stars Constantine the Great, one-time emperor of the Holy Roman Empire. Constantine can’t come to terms with the reality of his new existence in Hell, but he has a plan: “In the land of the Prince of Lies he would weave a greater lie than all that came before, a lie that would set them all free.” He assembles the finest minds in Hell, including Kierkegaard, Voltaire, and Schrodinger, to help him concoct this magnificent lie. Satan then orders gangster Frank Nitti to team up with Jack the Ripper, and they are sent to keep an eye on this intellectual rabble. When in Rome, do as the Romans. But when in Hell, do not attempt to emulate the Devil.

The next entry is Michael H. Hanson’s The ITTT (pronounced eye-triple-tea) — The Institute of Terrified and Tortured Technicians. Sergei Korolev, former father of the Soviet Space Program and now, in Hell, President-Elect of The ITTT, is the keynote speaker at an upcoming conference, which revolves around the ongoing feud between Edison and Tesla. Edison is a crafty bureaucrat who lords it over the various infernal-internal technology departs, and steals every idea he can get his hands on. Also in this clever little tale, we see more of the irony and punishments of Hell: genetic engineers are plagued with physical deformities, and chemical engineers are constantly sprayed in their faces by all manner of toxic elements, for example. But what’s really at stake here is Tesla’s new space tunnel, Hell’s own escape hatch.

Petra E. Jorns continues the tragic tale of Siegfried and Kriemhild in her mythic Siegfried’s Blade.Kriemhild awakens in Hell, suffering the pain of loss and guilt. Wandering over a field of bones, she hears a skull speak to her in a familiar voice. “You have murdered us.” It is the voice of Gunther, her brother, who had plotted Siegfried’s death with Hagen. Kriemhild sets out to find Siegfried, only to encounter Brunhild, her enemy, whose own vanity had led to Siegfried’s death, and they accuse and blame each other for that. Further along, Kriemhild meets Hagen, who now carries Balmung, Siegfried’s accursed sword. Hagen: whom she had allowed to murder her brother Gunther, and thus quench her thirst for vengeance. Haunted by memories of Siegfried, confronted by old ghosts and tortured by her own guilt, Kriemhild stumbles on, over the bodies of her brothers and all those she had brought to death thru her vengeance — and ultimately discovers the truth of her personal and private Hell.

Stairway to Heaven is Ed McKeown’s wonderful tale of Emile Du Chatelet — physician, mathematician, and author—who seeks audience with Belial, Crown Prince of Hell. One-third of New Hell City has disappeared, and its citizens have not reappeared at the Undertaker’s for reassignment. According to Emile, Tesla could not control his Dirac Power Source — which is actually the underlying principle that binds the Universe together. She proposes a great mechanism by which they can rip open the dimension of Hell and march out to freedom — perhaps to Heaven itself. Emile, who claims she has done nothing to warrant her place in Hell, wants revolution. She wants to invade Heaven and face God in battle, but she needs Tesla’s help, and he’s still locked inside the Fortress of Despair — J. Edgar Hoover’s prison. Belial agrees to support her, and with the aid of a female demon named Smoke, the cowboy Frank Hopkins, and Achilles piloting a Blackhawk helicopter, they storm the prison in a battle worthy of a James Bond flick. Emile’s speech to the damned is thought-provoking, eloquent, and perfectly logical.  What she asks of Belial, however, is a thing heretofore unknown in Hell.

Explorers in HellKnocking On Heaven’s Gates is Larry Atchley’s excellent and epic novella, starring Anton LaVey, founder of the Church of Satan on Earth. Seems he’s been blown to pieces in the failed attempt to steal from Guy Fawkes the Spear of Longinus, aka the Spear of Destiny—the spear that had pierced Christ’s side. LaVey wakes up in the Mortuary after experiencing a dream of light at the end of the tunnel, a heavenly dream of love and joy. Now he wants to experience those feelings again, if he can. After the Undertaker reconstitutes his body, LaVey sets out to file his report with Satan. Meanwhile, Tesla’s latest invention has backfired and a third of New Hell has gone missing. Hell now really looks like a painting by Bosch or Brueghel. LaVey realizes that Hell is truly going to Hell in a hand basket.

Cut to Guy Fawkes, who was captured and is now in prison, but still in possession of the Spear of Destiny. But the Spear is embedded in his body, a result of an explosion during the failed attempt to take it away from him, and legend has it that whoever has the Spear is invincible and invulnerable. So no one can take it away from him. Enter Emile du Chatelet, who comes to free him and enlist his aid in her plot to storm the Gates of Heaven. Will her plan succeed or is it doomed to failure? And what is Satan’s purpose for secretly supporting but not taking part in the storming of Heaven’s pearly gates?

Meanwhile, Satan wants LaVey to play keyboards and entertain the army of damned souls about to attack Heaven. But LaVey is suffering from Post-Traumatic Death Disorder and does not feel he can perform at his best until he recovers from his emotional trauma and his troubling dream. Just as self-serving in Hell as he was in life, LaVey wonders if he can become a better person, to be loved and to find redemption. After his first session with Williams James, Psychologist, Spiritualist, and Pragmatist, the big day has come for LaVey. He is ordered by demons to play the new and improved Liszt pipe organ while the army of the damned assaults the Gates of Heaven and battles a host of Angels. Ah, but things in Hell are not always what one thinks they might be, and LaVey realizes that everything in Hell has its price — even playing the pipe organ, to which he and a number of other lost souls are physically attached.

Now we come to the final chapter, folks, and a most fitting pay-off it is, too. Janet Morris returns us to Chris Marlowe and Will Shakespeare as they perform, perhaps for all eternity, their play, Hell Bent, which is also the title of this eloquent and theatrical comic-tragedy. The two playwrights play lovers in a hellish parody of their own plays, which they have written to order, per His Satanic Majesty’s Request. Will plays the male lead, Marlowe the female. In every performance, Marlowe must kill Shakespeare — I mean, really kill him. But the Bard does not return to the Undertaker for reassignment, for Satan is there at every performance, there to revive him, once a night and twice on Sadderday. More than a parody, their play is almost a travesty, being made up of scenes and dialogue cannibalized from the plays they wrote in life. Marlowe, in love with Shakespeare, wonders and worries over the Bard’s infatuation with HSM.

“Why should you love him whom the world hates so?” Marlowe’s character asks.

“Because he loves me more than all the world,” Will’s character replies.

As he prepares to plunge the rapier into the heart he loves best, and bring death nightly to the man he treasures most, Marlowe stage-whispers a line from Othello. “Perdition catch my soul, but I do love thee! And when I love thee not, Chaos is come again.”

“Hell is just a frame of mind,” Shakespeare replies through gritted teeth.

That line from Faustus was Marlowe’s downfall — a line that ultimately proved to be false. He had taunted the Devil in life with it, and now he pays in Hell forever.

Over and over again, Marlowe must kill Shakespeare in the final act, only to watch, through jealous eyes and suffering heart, as Satan brings Will back from the dead, showering him with love and favor. However, after long and many arguments, Marlowe convinces Will to trade roles with him, and the Bard in turn convinces Satan to let them do it, because he wishes to learn how it feels to truly kill a man.

Rogues in Hell“Since I cannot prove a lover, I am determined to prove a villain,” Will tells the Devil, quoting a line from his own Richard III.

Will the Prince of Darkness bring Marlowe back to life after Shakespeare kills him in the final act of their play? Ah, there’s the rub.

Not since Adam and Eve has the Devil had such a pair to play, one against the other.

Oh, what fools these mortals be! Are the damned Satan’s tools, his fools, to think they can wring power from infinity, make themselves powerful enough to overcome their fate? Does the assault on the Gates of Heaven succeed? Does Satan bend Hell itself to accommodate his fools for war? Does he transport one-third of New Hell, trashed by power-hungry idiots and their petty hatreds, into some new dimension of space and time just big enough to accommodate their egos and their fiery deaths? Does the Son of the Morning make his point to Erra and his Seven Sibitti, the Almighty’s pitiless enforcers — that Mankind is demented and foul and not worthy of Heaven’s forgiveness, not worthy of redemption? Will Satan gather his legion of Akkadians and Spartans, Nazis, Americans, Chinese — the greatest armies of the damned — and put on his own play for Heaven? (Or a reality show—“His Satanic Majesty Disciplines His Own,” perhaps?)

In Hell, the Devil rules, the Devil is not mocked, and the Devil always gets his due.

Each story in Dreamers in Hell is top notch. Perhaps I should say each chapter, for this is truly a shared-universe that reads like a novel, rather than an anthology. The stories are all very good, many are great, some are superb. This is a true collaboration of diverse hands that has been shaped and molded into a cohesive whole by Janet and Chris Morris.

The beauty of the Heroes in Hell series is that all genres work in Hell, and no genre has been left undone. You’ll find horror and science fiction here, fantasy and historical drama, satire and action/adventure thrillers — even romance. These metaphysical, visionary “mythical epics” are character-driven, thoughtful, intelligent, and insightful. They examine the nature of Man, and the nature of good and evil.

These are fables and morality tales, examinations into what makes Mankind tick, a look into the soul of humanity. Justice rules in Hell, too, you’ll discover. So does irony: all that was fair on Earth has turned foul in Hell. But all’s fair in Hell when it comes to how the damned are treated, of course.  Yet for all its torments and punishment and betrayals and violence, there is friendship and loyalty to be found in Hell, courage and honor, and even love. And above all, Hope persists. For even in Hell, the damned can and do hope for redemption and salvation.

Have some sympathy for the Devil and give Satan his due: check this one out. In fact, I recommend you check out all 14 books in the Heroes in Hell series. Just in case you find yourself in Hell one day, it’s best to be on the good side of the Devil. If he has one, that is.

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