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Welcome To My World
By Andrew Weston
When it comes to writing, one of my “things” is what most people refer to as – World Building – the process of constructing an imaginary framework in which to set your epic adventure. What’s a shame is the fact that, in many cases, authors don’t put enough effort into creating a real setting for their stories, something that contains sufficient coherent qualities such as history, geography, ecology and suchlike. Yet, when you think about it, this is a key task, especially for novelists like me who concentrate on science fiction and fantasy.
So, how do I do it?
I usually begin my process from the top down. What does that mean? Basically, I devise a general overview of the world in which I’m going to set my creation and then I start working inwards. Here’s a broad example of what I did for the IX Series:
I started by considering where the world – Arden, the main location where adventure begins – would be situated.
What type of sun would it have? Who would be its inhabitants and what was their history? What level of technology did they possess? What geographical and topographical features does Arden have how does this affect things like climate and skin tone?
Once I’d determined those facets, I started to add smaller details in layers – or as I refer to them – modules.
Personally, I devise a number of sketches from which I can create maps, bases or starships, etc, and continually refine them as I go along until I have something concrete.
That might sound a lot of trouble to go to, but it gives me a sense of scale from which I can later determine other factors like timing and provisions and equipment, (especially important if different groups of protagonists and antagonists clash at varying venues). I also find this method allows me to build well-integrated societies or storylines, which in turn, reflects a superior level of quality and realism within the narrative itself.
This is another vital ingredient we writers have to ensure. We want the picture we create in the readers minds to be as vivid as possible. You can’t do that unless you create a solid foundation for them to recreate our vision in their own minds.
That’s why I go so far as to construct actual languages, flora and fauna, behavioral and migratory patterns. Don’t get me wrong, I don’t drown the reader in a deluge of detail, but I have lots of elements ready – at my beck and call, so to speak – so I can add the little touches here and there that gradually fills the narrative out and makes it sparkle.
Imagine, for a moment, how that helps the reader to connect to, and bring your imaginary world to life.
I like to think of my stories as rough diamonds. To begin with, I’ve got an absolute gem of an idea to work with. But it’s rough and lackluster. I need to examine it closely and buff it up with world building. Decide what to engrave and shape, and where to spend time grinding and polishing. As it gets into the final stages, I make sure each facet gleams and that there’s a sharp definite edge to the final cut, a depth and perspective you won’t see until you’ve viewed all the angles.
One of the main ingredients in my imaginary worlds is the “keep it real” ethic. I’m fortunate to be a Master of Astronomy. So, when I devise my fictional setting, I base futuristic technology on the very latest theoretical science.
And think about what’s been in the news over the past year or so: teleportation was the stuff of pure science fiction not so long ago, but now, scientists can transport quantum packets of information through the ether with remarkable clarity and accuracy; we can levitate objects; have artificial air scrubbers that make the foulest environment breathable; there are engines under development that researchers are sure will punch us to Mars in a matter of weeks, not months.
All these things help me stretch the imagination that little bit further, so my readers can seriously consider…“Yes, the citizens of Arden – thousands of years in advance of our own – use everyday constructs that we are only just delving into. I can believe that.”
Once you establish such a connection, you’ve got your readers hooked…
Then it’s just a matter of reeling them in.
How to do that?
Aha – we’ll chat next time in – Keeping Things Balanced
Andrew P. Weston is Royal Marine and Police veteran from the UK who now lives on the beautiful Greek island of Kos with his wife, Annette, and their growing family of rescue cats.
An astronomy and law graduate, he is the creator of the international number one bestselling, IX Series and Hell Bound, (A novel forming part of Janet Morris’ critically acclaimed Heroes in Hell shared universe). Andrew also has the privilege of being a member of the Science Fiction and Fantasy Writers of America, the British Fantasy Society, the British Science Fiction Association and the International Association of Media Tie-In Writers.
When not writing, Andrew devotes some of his spare time to assisting NASA with one of their remote research projects, and writes educational articles for Astronaut.com and Amazing Stories.
Author Website: http://www.andrewpweston.com/
Fight or die.
That simple yet brutal reality is the tenet by which the refugees from Earth – including the fabled lost 9th Legion of Rome; the 5thCompany, 2nd Mounted Cavalry Unit; and the Special Forces Anti-Terrorist Team – were forced to live by while the Horde menace existed. Believing that the threat is over, the survivors now yearn to settle down, start families, and reclaim the lives stolen from them.
But such aspirations might remain beyond their reach, for a shadow looms on the rose-tinted horizon of new beginnings.
The release of the re-genesis matrix has done much to foster a restoration of exuberance across Arden. Along with a resurgence in floral and faunal diversity comes the results of splicing the Ardenese and human genomes: transmutation. A metamorphosis of stunning magnitude that not only affects the living, but those still is stasis as well.
Recognizing the emergence of a new hybrid species, the Architect – the arcane AI construct tasked with the preservation of the Ardenese race – responds by unlocking previously hidden and inaccessible areas of the city. It also releases an archive of sealed state secrets. Such revelations are eagerly perused, whereupon a shocking discovery is made.
Prior to the fall, it was common knowledge amongst the Senatum (the highest levels of Arden’s government) that not all the rabid Horde had joined in the rampage across the stars toward Arden.
Realizing that the peril still exists, the newly reformed administration elects to respond in earnest. Existing resources are utilized, suitable candidates are chosen, and a flotilla of ships is sent out to secure, quarantine, and reclaim the outer colonies.
A mammoth and hazardous undertaking. And nowhere more so than at the planet from where the outbreak was known to have originated – Exordium – for there, the ancient Horde are not only supremely evolved and highly organized, but are capable of a level of lethal sophistication, the likes of which has never been witnessed before.
It is into this kiln of incendiary potential that the cream of Arden’s fighting forces is deployed.
Worlds are torn asunder, suns destroyed, and star systems obliterated. Yes, tragedy is forged, in a universe spanning conflict which proves once again that…
Death is only the beginning of the adventure.
Roman legionaries, far from home, lost in the mists of Caledonia.
A US cavalry company, engaged on a special mission, vital to the peace treaty proposed by Presidential candidate Abraham Lincoln.
A twenty-first century Special Forces unit, desperate to prevent a nuclear catastrophe.
From vastly different backgrounds, these soldiers are united when they are snatched away from Earth at the moment of their passing. Thinking they may have been granted a reprieve, imagine their horror when they discover they have been transported to a failing planet on the far side of the galaxy, where they are given a simple ultimatum. Fight or die. Against all odds, this group of misfits manages to turn the tide against a relentless foe, only to discover the true cost of victory might exact a price they are unwilling to pay.
How far would you be willing to go to stay alive?
Sometimes, death is only the beginning of the adventure.